![]() And the Fleming team was lovely all the way through. He took every one of my ideas and elevated them, then brought in a whole world of his own innovations. Dennis is so dynamic, so smart as a storyteller. I got to write James Bond! Beyond that, it was working with Dennis and with the Fleming estate. That was the evolution of “Bond-Vision” as we call it, as well as some other metaphorical visual iterations that you see in the book.Ġ03: What did you enjoy most about the project? So I had to think about how to take the internal and make it external as much as possible. ![]() That stuff works great in prose but is very hard to represent well in comics. I mean, I love the novel, but it’s a ton of narration, loads of internal stuff, thought process stuff and emotional beats. 002: How difficult was it to adapt the source text? It was only at that point that I started talking to the Fleming folks. I knew the Dynamite folks, and when they got the license, we began to chat about the various Bond comics projects, and they asked me to jump in on this one. ![]() 001: How did you get the call up from IFP to work on this project?
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